Sunday, October 31, 2010

YouKnowIGotSoul Interview With Faith Evans



YouKnowIGotSoul was fortunate to chat with one of the most talented female singers in r&b who has been on top of her game for 15 years now, the beautiful Faith Evans. Not only is she an amazing talent, but as you will hear in the interview, she's also a very humble and friendly person which is refreshing to hear. In the interview, we discussed her new album "Something About Faith," how she was asked to executive produce Keyshia Cole's last album, the challenges she's facing now that she's on an independent label, the way she is perceived by her peers in the industry, and her plans for the future of her career.










YouKnowIGotSoul Interview With Faith Evans





YKIGS: Thanks for taking the time to do this interview. I’m glad because this is a real treat for me, I’ve been a fan of yours since growing up, I grew up on your music, so I’m just glad you’re still here making that good music!

Faith Evans: Thank you! That’s good to hear, that’s always good to hear!

YKIGS: I also want to congratulate you on new album “Something About Faith,” how are you feeling right now?

Faith: You know what, I can’t complain. Things could always be better, but I look at it like the fact that people even care to hear Faith Evans music after all these years, that’s definitely a blessing to still be relevant in some kind of way to somebody.

YKIGS: I also have to mention I was at your show a few weeks back when you did B.B. Kings on the day your album released, and that show blew me away, you did an amazing job!

Faith: Oh you were there? Cool!

YKIGS: Yep! You had that place packed and rocking so it was really cool. What was it like performing in front of basically, I know you’re from Jersey, so in front of almost a home town crowd like that?

Faith: Right, and that’s the funny thing, because it was so many friends and family that I made sure was there, and it just felt like there was so much love, it was like a family reunion. Over the years, it gets better and better but every time I come home it was great for that show to be on the day of the album release and to be at home with all of them in there, because I was having a good time. And I didn’t even know that half of the people that were there, were there. If I had, I don’t know if I would have been as…I was just doing it for the crowd, I didn’t realize exactly people that I knew that were there, that I knew personally.

YKIGS: It was really cool when you brought out Fatman Scoop at the end too, that was a nice moment there.

Faith: Yea, that was good, that was really nice of him to do that.

YKIGS: Your debut album Faith released nearly 15 years ago now and you’re still doing music to this day. So besides having that amazing voice, why do you think you’ve been able to have such longevity in your career?

Faith: You know what, I think I am certainly blessed to be one of the lucky ones. You never know, don’t get me wrong, thankfully over the years I have learned I don’t measure my success by numbers and sales figures, just the fact that like you just said, to still be making music and even though it’s a different walk with independent with the numbers and the dollars, but just to even debut at the number one on any chart, the independent chart, it’s like wow! I think maybe aside from it just being a blessing, I definitely try and not overdo it, I just kinda live by my rules and my heart in terms of the time I take between albums, that may have something to do with it. And when I do come back with music, it’s still the same good music, I don’t try and keep up with a certain pace of what I hear all the time on the radio. With all due respect, and I’m well aware having four kids what is current, but at the same time, I can’t deviate from what it is that Faith Evans does that my fans like about what I do.

YKIGS: Yes and that’s something I admire about you and your music. With this album, you stay true to that r&b sound you came in with, and as a true fan of r&b, I can really appreciate that.


Faith: Thank you! I appreciate that.

YKIGS: What was your plan going into making this album?


Faith: First and foremost, being in the driver’s seat 100% and making for a great, more personal touch with the creative process. I’ve always…me and my husband have been very hands on in the studio and stuff but even in calling other artists and using the relationships I have, obviously this is my most feature heavy album. But it was all because of the love and mutual respect for me as an artist and vice versa. So that all just kinda came together, it was just a good vibe and a personal touch, the fact that it’s like wow, I’m really calling to see if I could clear this sample, and of course I’m ultimately letting my team handle it. But when you do things yourself, it might happen a little faster. So just to kinda answer your question, that was the whole thing, it just kinda came together the way that I envisioned it, but not having done this before in this way, I didn’t know it would be, but it’s exactly how I wanted it to be.

YKIGS: Do you have a favorite song on the album?

Faith: You know what, one of them is “Everyday Struggle,” and “Troubled World” is one of my favorites.

YKIGS: I was actually going to ask you if you can tell me the story behind “Everyday Struggle” and what made you decide to do that like that because obviously we all know you used the same beat that Biggie used on his song of the same name, and I thought it was real cool, so I just wanted to hear the story.

Faith: Yea, firstly I always kinda try and…like even on the song with Keyshia Cole, originally it was written differently and then I ended up like “you know, let me give a subtle throwback to B.I.G., so I put that little “Hypnotize” thing in the bridge. But with “Everyday Struggle,” when I was working on my last album, “The First Lady” with Carvin and Ivan, I had told them I wanted to do a song to that beat. They had given me the instrumental for the original record that they sampled for BIG’s song. And the funny thing is, when I started working on this album, my little three year old, he always gets to my cd’s and dvd’s. I couldn’t find that track for nothing, and one day he pulled out all of the cd’s and bam right on top was the track that Carvin and Ivan gave me. *Laughs* I forgot about it, and I saw it and I started listening to it and I was like ok, and I started coming up with little melodies, and went in the studio. Funny enough, I had just done a song for Harvey Mason Jr. for the LeBron James movie soundtrack. So I said “Oh his father wrote this record, he owns the publishing, let me see if I can get in touch!” So instead of using the actual record, I had my band go in and replay a certain portion of it and I wrote the song and laid the vocals down and decided to keep the title just kinda as another throwback.

YKIGS: Yea I like that you did that, that’s a nice touch, it came out good.

Faith: Yea, and Raekwon came in one day to talk to me about doing something for him, the Capone and Noreaga song, and he ended up being in the studio all night, and he just went and laid the rap on it.

YKIGS: I gotta say my favorite song on your album, I think it’s actually a bonus track, it’s “Baby Lay” and that one to me is just like a throwback to your early work and I just love that one.

Faith: Oh wow! Definitely, we were contemplating not…it was like a lot of songs, but I’m like no they need a ballad, the album isn’t super ballad heavy, and that would be a nice little reminder of my ballads. Thank you, oh that’s cool!

YKIGS: Yea I’ve had that one on repeat since the album came out, I love that one!

YKIGS: I wanted to also ask you about your collaboration with Keyshia Cole, you mentioned it earlier, “Can’t Stay Away.” How did this collaboration come about and what was it like working with her?

Faith: Well I love Keyshia, I have a whole different respect for her, she’s like a mini boss. *Laughs* The funny thing is she actually called me a few years ago when I was pregnant with my three year old to ask me to executive produce her album. And I was like wow! We had met before and stuff, and talked, but I was dang you like me like that? I thought that was really dope, but because I was pregnant and looking for a new house and about to move, I didn’t really want to take something like that on and not be able to really carry it out, so I had to pass on it unfortunately. But then she called me again, we kinda kept in touch and she called me to do a song on her upcoming album, and by the time we went in to record it, I had written to the song that she ended up doing, and we kinda just did an even exchange type of thing, easy on my budget. *Laughs* It made sense because I like her, and she has her certain audience as well, so it worked out.

YKIGS: That’s interesting to me that she would recognize your talents like that.

Faith: I know! That’s always interesting to me, you know I don’t take it for granted, I don’t take myself that seriously like everybody loves what I do or even is a fan. So that was very like wow, I like her, I have that respect for her for even seeing me in that light.

YKIGS: Just out of curiosity, when you run into some of the younger artists in r&b that are out these days, do they show you the same type of respect that Keyshia has?

Faith: Yes! They do, I mean also it’s not always the same situation where we end up talking or on that level or working together, but I can honestly say they do, I never really feel they don’t. That’s something that like I said, I don’t take for granted, but it’s always a reminder when I am out and about, because I really don’t be out on the scene all the time, I got four kids, so it’s just when I’m working a record or out doing something for work, I may be around artists. Recently, I’ve been doing a lot more of course because I’ve been promoting my record. Even with like an El Debarge, I’m on El Debarge’s album, we just did a video for his record and I ended up doing features in Keri Hilson’s next video because it’s like “Wow Faith, come by my video!” *Laughs* So it’s like dang. I don’t carry myself with an heir of extra super ego-tism and I think being approachable and it’s nice to be nice and I respect other people for what they do as well. So it’s not really like it’s all about Faith, just when it comes to my music. *Laughs*

YKIGS: *Laughs* That’s very fair.

YKIGS: Do you have something picked out for a second single, or are you still deciding?

Faith: I am still deciding. I have a couple of ideas, but I don’t know, me and my team are still kinda formulating and trying to figure it out, but we’ve got to figure it out soon.

YKIGS: In the time off between this album and your last album, you wrote the biography “Keep the Faith” and were nominated for an African American Literary Award. What did that honor mean to you?

Faith: Yea, I actually think I won it, and I was so surprised because I didn’t know about it number one, but I didn’t heavily promote the book as much as I could, but it was great to see how well received it was. I’m still running into people now that I am traveling a little more, that are like “I got your book,” or people coming to my little get togethers, little meet and greets with the book like “I love your book.” I’m like that’s cool, thank you! I almost didn’t do it, I was kinda like I’m not ready to do a book, but then I knew I had some time on my hands when I wasn’t going to do another album with my last label, and I decided to entertain the whole offer.

YKIGS: I was also reading you have the reality show “It’s All About Faith” coming out soon, how’s that coming?

Faith: Actually it’s not that show, we just shot a pilot for a show called “The First Ladies” with me and Misa Hylton, Justin’s mother, Justin Combs’ mom. It’s basically kinda about us being friends since back in the Bad Boy days, and just having grown and have families, but it’s not about our family. We’re now both transitioning into other entrepreneurial ventures, me with the line of hair products, her with her line of clothes and the line of wigs and other stuff she’s doing in the city. So I’m kinda just balancing that with having kids, basically kids that’s about to go to college. So it’s going to be interesting, we just shot a pilot for that.

YKIGS: Cool, I’ll have to be on the lookout for that.

YKIGS: I’d also like to know, what do you see as being the major differences in being on a major label as you were for your first four albums, and now being independent?

Faith: Well first and foremost, the dollars are different. But on the other side, a lot more of it is coming to me, and the fact of owning your masters is certainly a plus. But it’s definitely not the same marketing machine, so you gotta try and take advantage of every opportunity to play a part in promoting yourself and your team has to do the best they can. But I feel good about…I think for me right now, I’m not saying I would never do another deal with a major, but right now it’s just so good for me to have acquired all my publishing back, just make a whole new fresh start. If I feel I wanna do something different, I’ve done it this way where there’s some part of my…I’ve gotta own my catalog. I need to have the right to do whatever I want to with the things that I’ve created from my heart and my soul, so that’s really the plus in it all for me. Because you never know, I can’t guarantee how many units I’m going to sell, and how many dollars I’m going to make, but I have the option to do whatever I’d like to do later on to make those choices and make some more money and go to a Time-Life deal with my music, as opposed to someone else benefiting from that.

YKIGS: Now that you’re independent, do you ever find it hard reaching your fan base, since there might be a different type of promotion now being independent than there used to be?

Faith: It certainly is. Even with the whole internet machine and everything, that is such a big cyber world, because some people still don’t know I have an album out, and I haven’t promotionaly covered some of my biggest regions yet. But instead of me blaming…the first week of my release, I had fans setting up sites like “Your album is sold out, they said two weeks!” I’m out here promoting a record people can’t find? I went to store personally and I didn’t see any Faith Evans! But as opposed to me looking at it and being angry, I still gotta promote and do what I gotta do, I gotta see the blessing in it, at least people bought it and it sold out, it means they’re looking for it. *Laughs*But then on the other hand, I’m still finding out some people don’t even know it’s out. It is different, it’s a different walk, but I did it for a reason and I gotta make the best of it. I gotta do what I can do, instead of stalling things and wasting the energy just trying to keep it together, I gotta pick up and keep it moving. Put on a happy face! *Laughs*

YKIGS: *Laughs* That’s definitely a good attitude to take!

YKIGS: I’d like to ask you about a few collaborations you’ve done over the years that I’m a huge fan of as well, and I’d like to just see if I could get some background from you on what you remember about working on that song and recording it.

Faith: Ok which ones.

YKIGS: The first one is the song you did with Jon B. called “Overjoyed.”

Faith: Yes! I remember that! I love Jon B., he’s such a cool guy. Actually I’ve been seeing him a lot recently at the studio too. We did that at his house, and I think he lost everything, I think he had a big fire and lost the house, but I remember recording in his house studio in Pasadena. We actually started dabbling on a few different ideas, but that was the one he already knew he wanted me to do with him. I like that song too.

YKIGS: Very good song. Next is the song you did with Eric Benet “Georgy Porgy.”

Faith: That’s one of my favorites too! I just did a song with him for his new album too. He called me his last album, and I think I was pregnant or it was something weird where it was a crazy time and I couldn’t make it happen in time. That’s like my boy, I feel like he’s my brother just from the first time when he came, I think that was before Motown Live which at the time he sat at the entire rehearsal for two hours waiting for me. And I had never met him, I knew who he was, and he said “I need you to get on this song with me.” And I think we went to the studio the very same day. *Laughs* I was just honored like, “Really? You like me??” *Laughs* And I love that song.

YKIGS: That’s cool that you’re so humble about it.


Faith: I mean like I say, it would be kind of embarrassing to be like “Oh my God, I know yall love me!” and they would be like “Who are you again?” *Laughs*I’ve always kinda been that way, I know so many talented people that may never even see the light of day in terms of being a well known artist. I think there’s so much talent in the world it’s hard to measure, so I certainly wouldn’t try and measure myself and think I’m better or less than, I am just me and I definitely try to appreciate when people receive my gift. That’s really all I can do. *Laughs*

YKIGS: That’s very fair. The song you have with DMX “How’s it Goin Down.”

Faith: You know what, I don’t think I got to record that song with him. But we did the other song, I think we were in the studio together. No no no, he came to my hotel in Miami at three in the morning and made my husband wake me up to tell me about that joint. *Laughs* And he wanted to record with him actually, I remember it. That’s like a real nice little…people like that joint, hip hop heads like that one.

YKIGS: Now I gotta ask you about the song you mentioned earlier which is your new collaboration with El DeBarge “Lay With You.” I’m loving that song, tell me about it.

Faith: Oh that’s one of the times when I was really nervous in the studio, because that’s El DeBarge! *Laughs* You’re an r&b head, so you understand, so I was nervous. I’m used to being in the studio with just me and my engineer and maybe my little few people I may write with and work with. Ron Fair is amazing, so they made me feel really comfortable but I was just like “Wow, that’s El DeBarge!” But that song came out amazing, like what I hear what they did with it, just to know how nervous I was when I was in there singing it! *Laughs*

YKIGS: Yea I love that song, I think it could be a big hit.

Faith: We’ve been doing a lot of stuff together since then, he and I keep in touch a lot, I always send him little messages, a prayer on the road, be safe, God bless. He’s a sweet guy, El is a really cool guy. Just imagine that before I was anybody, Faith Evans the artist, I would really used to read all the credits and look at the pictures like “Oh my God!”

YKIGS: There’s a song I wanted to get some background on, it’s from the Biggie duets album it’s called “1970 Somethin.” I believe the chorus was written by Static Major who I’m a big fan of, and I was wondering if you had the chance to work with him on that?

Faith: I didn’t, they had actually had the demo done because a lot of the vocals were done in a lot of places with the artists. So it was already demoed when I got it. I think I was working on something too, my last album, and I did that while I was in the studio working on something else.

YKIGS: Did you ever have a chance to meet him at any point in your career?

Faith: I met him but that was when they were still together as a group when I used to be with Missy a lot, I think they may have come to my apartment with Missy a couple of times. I wanted to work with him on my last album really, really badly and we almost…I think he wrote to a track I sent him and we weren’t in the same town, I wanted to work WITH him. But he was such a talent.

YKIGS: I’ve mentioned all of these collaborations, but you’ve also made collaborations with the whole Bad Boy roster from back in the day like 112, Carl Thomas and even Puffy. I know you recently did a song with Slim from 112 for his solo album, but do you ever see yourself in the future collaborating with these artists again?

Faith: Yes, actually me and Carl have been in touch quite a bit, we’re definitely going to do something together because he’s working on his new album too. But we kinda keep in touch over the years. Me and all of the guys of 112 are still cool. Me and Q are actually about to do a song together for his album. I’m cool with everybody for the most part unless they have a problem with me, I don’t like having confrontational things with people. I’ve always kinda been pretty much cool with everybody, I don’t have any hard feelings. Me and Puff are cool.

YKIGS: Speaking of Puff, what was he like in the studio in terms of the control he had over your music. Did he really just let you do your thing, or was he trying to guide it? Tell me about that.

Faith: He knew what he was doing. If it was an artist, and I’m not saying I know who they were, but I’m sure there was an artist he couldn’t just leave in the studio, he would make sure there were writers or something there. But I was one of the artists he definitely knew I didn’t have to be in the studio with him to make a hit record. I would sometimes call him and see if he liked the direction I was going in, but for the most part he would be like “Play it over the phone, I love it! Nah you got it, it’s all good!” But he knew that much, for him to know that. I was definitely always pretty much in the studio, I don’t want to say in control because I didn’t take that position back then so much, but I was definitely much a producer myself and as opposed to taking that credit for it, not that he didn’t play a part in the overall production of the song, but I was always producing my vocals and just me and whoever did the track and the engineer. And then when the track is done, just me and the engineer. Back then I really didn’t even write with a bunch of people. Like now, I’m a lot more willing because this is the time of it as well because I have a family. So I write with other people and I do work on my material and it allows them to get a chance to get their names out there and me help them with getting their publishing game together, stuff like that. Which my next book is kinda gonna be about, stuff like that. Because I’m always kinda trying to point people in the right direction. They’re like “You should write a book about that!” *Laughs*

YKIGS: So you’re working on another book currently?

Faith: Yes, actually I just kinda started on the prologue for it. But it’s kinda like going to be a handbook, I guess an informational companion from like the artist/writer/producer perspective. Just the things that I’ve learned. There’s a lot I still have yet to learn, but the things that I do know quite a bit about because I’ve been very hands on with it over the years by trial and error.

YKIGS: How long do you see yourself continuing to make music into the future?

Faith: Hmmm. Right now I can’t see there being an end to it, for as long as I have that drive in me and that passion to do it, and people are out there like “Faith when are you coming back, we need some more music!” I’m going to keep doing it. I definitely have plans to start working on my next album very soon, I’m going to surprise my fans. They’ll think it’s gonna be another few years, but maybe not. I tend to make decisions based on not those things, just on the things I have to deal with every single day regardless of whether I have a record deal or not, to whether I could sing or not. I appreciate them for understanding that, and maybe that helps too with my being able to still come back, because some people do have a heart and do understand those things! *Laughs*

YKIGS: Well speaking on behalf of your fans, please never stop, we want to continue hearing you forever! *Laughs*

Faith: Oh please trust me, as long as someone like you who’s even on the other side, but you still are a fan of real music and you’re an r&b fan obviously, that gives it a whole different perspective. It’s like ok, I’m sure if I saw you in the street, it would be the same thing and I didn’t know that you were a journalist. So that’s a wonderful thing. You never know how you touch people.

YKIGS: I want your opinion, do you have a favorite of your albums you’ve made throughout your career?

Faith: Ummm….I think I have yet to make that! That would be the best answer.

YKIGS: That’s very fair! That’s actually all I had prepared, is there anything else you’d like to add?

Faith: Did I mention I’m launching a line of hair products? I kinda mentioned it, but that’s kinda part of what the show’s about too, I’m going into business with my friend Richard Glass, he has a line of hair products called Glass hair products. Right now for styling products, but they’re amazing, and I’m kinda joining forces with his brand to kinda help launch it. Oh I’m starting the biopic about Florence Ballard. I was chosen to play the lead in that movie and it starts filming in January, and I’m excited about that too.


Friday, October 29, 2010

Lost Soul: Al B. Sure "Off On Your Own (Girl)"











Al B. Sure "Off On Your Own (Girl)"


Admittedly, this is a bit before my time, but I've still grown to admire Al's music the more I've heard of him. I can also appreciate the fact that it was him that introduced us to such acts as Faith Evans, Dave Hollister, Case and Usher. Shout out to Adam for the request.


New Joint: Aion Clarke "I'm Coming" (Produced by Bryan-Michael Cox)











Aion Clarke "I'm Coming" (Produced by Bryan-Michael Cox)


"Another B. Cox joint!" Love it when I hear a song start out like that. Aion is Cox's new artist out of Toronto and this is the first single from their "Bryan-Michael Cox & Aion Clarke Present: The Leaks." This song is now available for purchase on iTunes.


Lost Soul: Mya "How You Gonna Tell Me" (Written by Kandi)











Mya "How You Gonna Tell Me" (Written by Kandi)


Another gem written by Kandi, this one appearing on Mya's sophomore album "Fear of Flying" in 2000.


Lost Soul: Alicia Keys "Jane Doe" featuring Kandi (Written by Kandi)











Alicia Keys "Jane Doe" featuring Kandi (Written by Kandi)


Besides being a very accomplished singer as part of the group Xscape and also as a solo artist, Kandi is a very talented writer. In fact, she was the first African-American woman in history to win the ASCAP "Songwriter of the Year" award for writing "No Scrubs" for TLC and "Bills, Bills, Bills" for Destiny's Child. Here is a gem she wrote and contributed vocals to for Alicia Keys' debut album "Songs in A Minor" from 2001.


Lost Soul: Kandi "I Won't Bite My Tongue"











Kandi "I Won't Bite My Tongue"


Here's a personal favorite of mine from her debut album "Hey Kandi" from 2000. Obviously, it's not too flattering to whatever male she is referring to in the lyrics!


Classic Vibe: Kandi "Don't Think I'm Not" (2000)



Lead single from her debut solo album "Hey Kandi" back in 2000.


New Video: Kandi "Leave U"



Kandi's new album "Kandi Koated" will be in stores December 14th.


Thursday, October 28, 2010

New Joint: Static Major "You Saved My Life" (Kieran Demo)



This is the demo of the song he wrote for Kieran's debut album. Check it out by clicking here.


Wednesday, October 27, 2010

Olivia and Vaughn Anthony Live Footage from Artist Showcase at Secret Lounge in NYC 10/26/10



On 10/26/10 I attended an artist showcase at Secret Lounge in NYC which featured performances from Olivia and Vaughn Anthony. As you can see from the pictures and footage, the lighting and crowd wasn't ideal for filming, but I did the best I could so you guys could check it out. At least you are still able to hear what an amazing voice Olivia has live and what type of potential Vaughn Anthony has.

The first video is Olivia performing a new song "Can't Walk Away."

The second video is Olivia and Vaughn Anthony performing "In Your Shoes."







New Joint: Vaughn Anthony "In Your Shoes" featuring Olivia











Vaughn Anthony "In Your Shoes" featuring Olivia


Let me introduce you to Vaughn Anthony, an up and coming r&b singer out of Ohio who just so happens to be the brother of John Legend and is signed to his "Home School" record label. If you ask me, his voice sounds very close to that of his brothers, but I'm not holding that against him. I was recently introduced to him myself at a talent showcase, and he performed this song live with Olivia (footage will be posted). I'm really big on his potential, so only time will tell what he does with it.


New Joints: Allen Anthony "Ooh" & "Let's Make Love"



07 Ohhh by allenanthony


08 LET'S MAKE LOVE by allenanthony


Well look what I just stumbled upon! Some new music from Allen Anthony (formerly of Christion) who is definitely still around and still making good music. After his solo debut "Oakland International" never really got off the ground, it was hard to find info on him. However, with the power of Facebook, I'm connected again! He's actually posted a bunch of songs lately on his SoundCloud account, and it's safe say he's experimenting with some different sounds including rock. Go take a listen!

Click Here for his SoundCloud page.


Monday, October 25, 2010

Lost Soul: Chico DeBarge "It's Cool"











Chico DeBarge "It's Cool"


Love, love, love this song! This was the first song on Chico's 2003 album "Free," which was his fourth album overall. Despite the success of his previous album "The Game," this album went largely unnoticed and failed to do much on the charts at all. Well, stop sleeping! I'm putting you on!


New Joint: Tank "Fix Me"











Tank "Fix Me"


Apparently Tank was a little unhappy with some of his material leaking to the internet lately, but he also took the opportunity to assure his fans the "Now or Never" album would still be delivered on time December 14th. *Thumbs Up*


New Joint: Dave Young "I Feel So Low"











Dave Young "I Feel So Low"



New Joint: Robin Thicke "She's Cold" featuring Swizz Beatz











Robin Thicke "She's Cold" featuring Swizz Beatz


My love/hate relationship with Robin's music continues to develop; this one would fall under the "hate" category.


Saturday, October 23, 2010

Lost Soul: Res "700 Mile Situation"











Res "700 Mile Situation"


One of my favorites from Res' debut album "How I Do" from 2001. Not your typical r&b album, but it was definitely a slept on album!


Rare Gem: Faith Evans "Maybe"











Faith Evans "Maybe"


After releasing "First Lady" in 2005, Faith took a hiatus that lasted over three years until this song called "Maybe" popped up in 2008. Instead of signaling that Faith was working on her new album (which we finally just got in 2010), it came and went without much fanfare. However, this jam produced by The Neptunes should be be slept on as it's a real nice sleeper that could have easily landed on one of her albums. I don't really see it fitting sound wise onto her new album, and she did work with The Neptunes on the "First Lady" album, so it's probably safe to assume it's a leftover from that one.

Side note, hear that beat? It contains a lot of the elements The Neptunes used in making the beat for 702's "I Still Love You." (Click Here to listen).


Friday, October 22, 2010

YouKnowIGotSoul Interview With Donell Jones



For a second time, YouKnowIGotSoul got a chance to interview Donell Jones and we touched on his new album "Lyrics," how being on an independent label will allow him to release albums more often, experimenting with new sounds and showing his creativity as an artist, and what he has planned for the future with his record label.










YouKnowIGotSoul Interview With Donell Jones




YouKnowIGotSoul: Hey what’s up Donell?

Donell Jones: How you doin bro?

YKIGS: I’m good how are you?

DJ: I’m alright man.

YKIGS: First of all I just want to congratulate you on the release of your album “Lyrics,” how does it feel right now?

DJ: Oh it feels great man, it feels good to be back out with a fresh new project, new music, and I just appreciate the fans for supporting me through the years.

YKIGS: Before I talk to you more about the album, it’s been about 15 years since you released your debut album, and a lot of the peers you came up with in r&b back then, they are no longer here. So what does it mean to you to have achieved that longevity in your career?

DJ: You know what man, the thing is I always felt like I had a different kind of style than everybody else. To me it seems like it was just yesterday I put out my first album, it doesn’t even seem like it’s been 15 years. I truly appreciate the fans, like I said, for just even listening man and rocking with me for this long. But I think the fact that the type of music that I make, that I stayed true to my sound and I haven’t really changed that, I think that’s what contributed to my longevity.

YKIGS: Yes definitely! Now with “Lyrics,” one thing that impressed me is that you wrote and produced all but one on there, and in music these days that’s very rare to see. What type of an accomplishment is that to you?

DJ: For me, it’s a huge accomplishment. I was going to do everything, but Mike sent me that record and I just fell in love with it, I had to put that on there because it felt like it belonged, and I love the message in the record. In the past, I’ve always done about 70%/75% of the album that I’ve come out with, so it wasn’t a long stretch trying to do everything.

YKIGS: I was actually going to mention that Mike City track “Finer Things” because I love the vibe of that track, I love that song, and I’m glad you included it, it’s a good addition.

DJ: Oh yea, I felt like that was the record that I needed, that was what I was missing on the album, and he definitely came through with that.

YKIGS: Before I tell you my favorite on the album, do you have a favorite on this album, favorite song?

DJ: It changes by day man, but right now I would say “Just a Little.”

YKIGS: *Laughs* I actually have the same pick, but I want to hear why you like it the best.

DJ: Oh wow, I chose that one man, because when I made that record, I was just thinking…the record is not really about anything except for you are just telling a woman that even if you can’t get all of her, you are satisfied with what you can get from her. And I thought while making it, you know I need to make a record that people are going to make love to, and that’s what I felt about that record, I think people could really groove to it. Not only that, the guitars on the end man, the guy that I had play the guitar, he blew me away man with the guitar solo, and I was like “wow this is what I’m talking about!”

YKIGS: I was going to ask you actually about that guitar part, I wasn’t sure if that was you playing that.

DJ: Nah, that was this guy named Steve, actually it’s the guy who mixed the album. What happened was I had another guy playing on there, and what happened is I told the other guy to play. But when he started playing, their style is two different styles of guitar playing. So when I sent him the record to mix it, and he sent it back to me, he said “yo I put a little surprise on there for you.” And when I heard the guitar solo I was like “dammnn, this dude took it to a whole nother level!” But he’s like a rock and roll guitar guy, but he just added so much flavor to it I’m like “dammnn I wasn’t thinking
that way, but man this is incredible!”

YKIGS: Do you play the guitar as well?

DJ: I do but never on my record. I’ll play it on certain joints, but what I’ll do is get people who can embellish it and take it to the next level.

YKIGS: Also I noticed on the album it seemed like a few times you were experimenting with a little bit of a different sound, especially on the song “What’s Next.” What would you say about that?

DJ: Oh yea, I call that my…that’s my stretch to the pop world. I would never go pop, but at the same time, me being a creative person and a musician, you always want to just show people that you could do many other things besides just r&b. R&b is my forte, but I definitely wanted to try something different.

YKIGS: Yea I mean, a lot of r&b fans I’ve spoke to, they aren’t too big on that one. But I liked the song, I thought it was different and kinda catchy to me, so I kinda enjoyed it.

DJ: You know what, I think it’s more your opinion than anything.

YKIGS: That’s a good point.

YKIGS: I’ve also read that you are debating between “Blackmail” and “All About the Sex” for the next single. Are you leaning towards one or the other?

DJ: I’m definitely leaning towards “All About the Sex.”

YKIGS: Ooh good choice, I like that one! Are you going to be shooting a video for that soon?

DJ: Oh yea, I think we are going to do a combined two videos, it will probably be “All About the Sex” and “Blackmail,” somehow marry them into each other. But I like “All About the Sex” because I think it has all of the elements of what I used to do in the past. It’s really musical, and the lyrical content is really positive.

YKIGS: On the song “You Can Burn,” you introduce your artist Breeze, what can you tell us about her?

DJ: Well, first she’s my niece, so I’m taking a special interest in trying to make her career jump off. She’s really a great talent, and she can dance as well as sing, and I think it’s important that we try to get her out there in a big way.

YKIGS: As you get deeper into your career, do you see yourself possibly working with more upcoming artists and trying to develop them?

DJ: Oh yea, I mean right now my focus is just really me, and her, and then sign some more artists that already have a fan base. But I would definitely love to find new talent, this business is so crazy that it’s really, really hard to break new talent these days.

YKIGS: Since you are no longer with a major label, and you’re doing this album independently, what have you found to be the major differences between the two?

DJ: To be honest, there’s not really a big difference except for the fact that maybe with a major label they have a little bit more money to spend. But with my projects, when I worked with a major label, they spent money, but they didn’t spend it in the right way. I feel like I already have a fan base, and I can market and promote myself, the only thing I was really missing was being really strong at radio. I think radio is still a major part of selling records. Since the internet, I can connect that record with my fans, and it just makes it so much easier for artists these days.

YKIGS: In terms of promotion, have you found any difficulties reaching that fan base or spreading the word that you have a project out?

DJ: It’s still difficult, because you know when promoting an album, you still want people to know that it’s out there. But through Twitter, Facebook, Myspace, radio, and advertisements on TV, all of those things still work. With TV and radio, those things cost a lot of money, so you just really have to strategically put stuff in places where you know you are going to sell. My top 10 markets is where we focused on the week of the album coming out.

YKIGS: Do you find that you have more creative control on an independent label? Or is there not much of a difference?

DJ: I have all the control. Every decision that’s made, that’s my final decision, and I like it like that. When I was at a major, there was a lot of singles that I would have loved to put out that they didn’t want and they had the final say. Now that I do have control, it won’t take that long for me to come out with an album anymore. Usually it was a three year gap between albums, the last album was probably like four or five years, so now I’m definitely going to be putting out albums at least once a year or every other year.

YKIGS: Ok, that’s good news!

YKIGS: I see you active on Twitter a lot, and with these social networking sites, what could you say you’ve been able to learn about your fan base? Has that helped you in any way with your decisions?

DJ: Yea, I mean they are going to tell the truth. *Laughs* They are going to say if they don’t like something, and they are going to be honest with you. Then you always got the haters out there, but I love to see that too, I love to see the people that don’t like me, it just gives me motivation to keep doing what I’m doing. But my fans, I mean through and through, they are going to tell the truth, if they don’t like it, they don’t like it. Just like you said, with the “What’s Next” thing, a lot of fans didn’t understand that record. *Laughs* For somebody else, it would be a huge record for somebody else, but them hearing it from me, it’s like “wow, what were you thinking of!” At the same time, you’ll slowly, slowly, gradually get them to understand that it’s ok for people to be different. That hit them over the head. If I were to come with a whole album like that, people would be upset! At the end of the day, I’m just showing my creative side and just showing there are many other sides and many other things I want to do. But I’ll alwayssss be r&b!

YKIGS: The Lost Files album you put out last year, I was a big fan of it, and I think you had mentioned on Twitter you were going to do a part two at some point. Is that still in the works?

DJ: Oh that’s definitely still in the works. I got a lot of songs that I had that didn’t make albums, so we’ll definitely do another Lost Files. I think I’m going to do
another album before I do another Lost Files.

YKIGS: Ok cool because I’m still stuck on that “Superman” song, that song is crazy!

DJ: Man, you know I did that song in ’96!

YKIGS: That’s crazy, how did that one not make the album back then?

DJ: We had a lot of records, and it just didn’t make it. Then when we went to the next album, my style of music had changed so much, I didn’t feel comfortable putting it on there. Even though I love the record, it just wouldn’t have fit on the “Where I Wanna Be” album, so it got overlooked.

YKIGS: So you got some more gems in the closet for us too?

DJ: Oh definitely! I got a lot of records that we recorded that didn’t get put on any album.

YKIGS: Cool, I look forward to that!

YKIGS: As a veteran in the industry, what are your goals at this point for your future?

DJ: My goal now is to really focus on this record label, focus on just putting great music out there and reconnect with the fans. I think there are a lot of people out there that don’t even know I have a project out. As I’m doing my Twitter searches, I’m seeing that a lot of people are saying “Man I wish he’d come back, I wish he’d put another record out!” And I’m like “wow I got a record out right now!” So there are a lot of people we still missing, so it’s all about getting the word out, promoting it, and I think that’s my focus right now, just spreading the word.

YKIGS: Overall it’s been a few weeks since the album came out, would you say you are happy with the performance? How would you rate it so far?

DJ: Honestly, I give it a C. The reason I give it a C is because with the climate of the music business right now, E1, my distribution company, they only put out a certain amount of records, and I understand it because we only have three major chains that’s selling records, that’s Wal-Mart, Best Buy & Target. I had a meeting with those guys and they were really adamant about not really buying a lot of pieces because they don’t want records sitting on their shelves. I come from the days where you put 100,000 in the stores and you see what happens. So for me, a lot of people were going into stores, and they weren’t able to get the record because there were not enough in the stores. So it’s like a catch 22, you lose a sale, but at the same time, it’s good because you sell out and re-order, but you are still missing that sale, and you never know if a person is going to come back and get it. With the download age, they be like “well man, forget it, I’m just going to download it.”

YKIGS: Wow man that must be a tough situation.

DJ: It is, but at the end of the day I’d rather be in that situation then to be on a major label and put out and still not be able to make revenue or make money. A lot of what they’re doing right now is backwards.

YKIGS: How do you feel about the whole digital age? Do you feel that CDs will become obsolete and everything will be done online? I know you are big into digital and everything.

DJ: I don’t think so, I don’t think so. I think my core fan base they come from an age of wanting that physical copy, where they want to hold it, they want to read the credits on the back of it. I don’t think it will actually all go digital, the only way I think it will all go digital is if they fix the internet and regulate it where people can’t download for free. Until they do that, I don’ think they will make it all internet. I do say this though, when they do regulate it and nobody can download for free, somebody will outsell Michael Jackson. You got the world at your feet, you can get worldwide sales over the internet. I guarantee you, once they can do that, and nobody knows when that will happen, it will probably take another half of a century, every code that’s written is broken at the same time.

YKIGS: Alright Donell I don’t want to take up too much of your time, is there anything else you’d like to add before we finish up?

DJ: Yea just let the fans know that I really appreciate them, they’ve been supporting me for years. I appreciate you as well. Just thanks for supporting me, they can reach me on Twitter at Twitter.com/DonellJones96 and Facebook.com/DonellJones96.

YKIGS: Thanks so much Donell, and just keep doing what you’re doing because we’ve loving your music out here.

DJ: Thanks man, I appreciate that bro.

New Joint: Faith Evans "Baby Lay"











Faith Evans "Baby Lay"


After much deliberation, I've decided that this is my favorite song off of Faith's new album "Something About Faith." What's interesting is, this song is the last track on the album and is marked "Bonus Ballad." This one brings me back to the style she used on her first album, and I could already tell I'm gonna have this one on repeat for a long time!


Lost Soul: Pink "Love is Such a Crazy Thing"











Pink "Love is Such a Crazy Thing"


Before you get confused and wonder when I turned this into a punk/rock/pop site, keep in mind Pink's debut album "Can't Take Me Home" had an r&b feel with contributions from Babyface, Kandi, 112, and Tricky Stewart to name a few. In fact, "Love is Such a Crazy Thing" was written by Daron Jones of 112 and pretty much sounds nothing like the music she has put out later in her career. It's pretty interesting to hear, especially because she has become a huge star, just not in this style of music.

Thursday, October 21, 2010

Rare Gem: Parle "Came a Long Way" featuring JadaKiss











Parle "Came a Long Way" featuring JadaKiss


Since I got such a positive response to my Parle posts, I did a little further digging and pulled out what was supposed to be their first single. This is back from 2001.

Lost Soul: Eric Cire "Still"











Eric Cire "Still"


Even though Eric Cire released this album back in 2005, I'm just now discovering it. How did I discover it? He actually did some writing on Marques Houston's just released "Mattress Music" album, so after talking to him on twitter, I found out exactly who he was! Check this song out, I could actually hear some Marques Houston in his voice. What do you think?

Wednesday, October 20, 2010

YouKnowIGotSoul Interview With Tweet



Recently YouKnowIGotSoul in collaboration with StaticMajorIsMusic had the pleasure of speaking with the beautiful "Southern Hummingbird" Tweet and we had the chance to talk about originally meeting DeVante Swing and getting her start, working with Missy Elliot, the classic sound she achieved on the "Southern Hummingbird" album and what's in store for future.










YouKnowIGotSoul Interview With Tweet




YouKnowIGotSoul: We appreciate you taking the time out to do this interview because we’ve had the chance to hear perspective from others you were in the Da Bassment with about being in the Da Bassment, and also about Static. So we were really looking forward to the opportunity to hear your perspective as well.

Tweet: ok, no problem!

YKIGS: First up, just give us some perspective on how you got your start in music, and more specifically, getting into Da Bassment clique.

Tweet: Well, music has since birth. I grew up in the church, singing in choirs, and I went to a performing arts school, and I had a gospel group, so music has always been in my blood. But in 1994, Jodeci came to Rochester to record, “The Show, the Party”…I can’t remember the exact name, but that album. And Devante had his Bassment artists with him, which consisted of Sista, which Missy was a part of, Playa, which Static was a part of, he had Tim and Magoo and Boogie man and a couple of other people. And then he had a group named Sugah that was looking for another member to replace a member. So I auditioned in 1994 and I got the part, so that’s just how it went from there.

YKIGS: What was it like working with so many other talented artists in Da Bassment?

Tweet: It was really, really, really fun. Devante actually had a studio which was Dajhelon Studios in Rochester, NY and he also had an apartment building, so we all had our own apartment and we all stayed in the same apartment complex, and we all had the whole studio. So it was always music going on, it was always writing, it was always collaborating with one another. So it was like having Motown, but updated, and I think that’s the business that Devante had, wanting to recreate the Motown music. So that’s what it was, good music all day everyday, who wouldn’t want to do that?

YKIGS: Is there a specific memory that stands out to you from your time there?

Tweet: I kinda remember most of the days. The most I remember, there was one time we had an album release party for a young lady Renee Anderson, she wasn’t a part of the Bassment, but an artist Devante was working with at the time. So we had a release party for her, and I remember that night was the night Missy wrote “Sugar and Spice” and I recorded that song with her. So I remember that, we had fun, when we recorded the Bassment Tape, I remember all of that stuff. We were musical all the time, we were a family.

YKIGS: I’m glad you actually brought up Sugar and Spice because we’ve had a chance to hear that one. What can you tell us about that song, and overall what can you tell us about the sound of Sugah?

Tweet: Sugah was…we always used to say the female version of Playa. So we were old school, we had the old school sound, maybe The Supremes, we would always look at The Supremes and get ideas. Like the old 70’s and things like that, so our sound was basically the female Playa at the time. And “Sugar and Spice,” it was just spur of the moment. Everybody was in the studio in the back like having fun, enjoying the release party, and Missy was like “C’mon let’s go do a song!” Just spur of the moment and she wrote it and we did it right there while the party was still going on.

YKIGS: After leaving Da Bassment, what was the transition like going from a group to a solo artist?

Tweet: It wasn’t hard, that’s because it happened so fast, everything happened so fast. I was never the one that really wanted to be a solo artist, I was always in groups, but because of the opportunity that I got from Missy, with her calling and wanting me to do the backgrounds for her albums, and me just being home after the breakup from the group, I started writing songs in my time, so it just sorta happened, and just caught on when I played a couple of songs for Missy, and then that was that. I never was asked do I want to be that.

YKIGS: Tell me a little more about Missy. How did you develop a relationship with her in Da Bassment that led to you guys having the opportunity to work together once you guys left?

Tweet: Missy, as I’ve said before, we all stayed in the apartment complex. We had our own apartment, each group basically. We were always doing songs. Missy was a writer, so she wrote songs for Sugah, and the group that I was in, and she just was writing for Da Bassment period. I was the lead singer basically, so that’s how we built the relationship. We were all like family. So when Missy left to do her solo project, she came back and got me because she recognized my talent. Because I would always do a lot of the stuff for my group Sugah, we all did our parts.

YKIGS: Since it took awhile for you to release your solo album after you left Da Bassment, was it always your intention and why do you feel it took so long?

Tweet: No, actually it wasn’t. Actually Susan and I, after the group broke up, Susan and I were going to do a duet group, we had started writing songs, we actually went in the studio and recorded a couple of records, and that was going to be that. But there was just so much going on, we both went home, and then Missy called, and then I did the background vocals for her, and then I played a song for her and that was that. So it was never my intention to do a solo album, but it just happened.

YKIGS: So what do you remember most about recording that “Southern Hummingbird” album?

Tweet: It happened, it was just so…how do you say it…it just happened so quickly and at the right time. With the combination of Nisan, and Charlie, and Jubu, and Craig, it was a match made in heaven. We had known each other, and that’s why I love working with them, like my brothers because I don’t have to tell them what I want. If I play something, they know exactly what’s needed and stuff like that, so it was amazing. We didn’t know at the time that we were making something that a lot of people would still listen to today, and affect people still to this day, but we were just making good music, and it was just amazing. We did it in a one track room, it was a small room in L.A. at the studio, and it was just amazing.

YKIGS: What’s your personal favorite song on that album?

Tweet: Off of “Southern Hummingbird?” Oh my God, I don’t have a favorite. I think they are all…they are all like special to me. “Complain” is great, the one with Bilal is amazing, “Best Friend,” “Boogie 2Nite,”… you know all of them basically! That’s like one of my favorite…I could go on and on *Laughs* “Smoking Cigarettes.”

YKIGS: Actually, my favorite song of yours, which actually appeared on your next album, is “Cab Ride.” Can you just tell me a little background on that song?

Tweet: Well, we were actually on tour, we were doing a show, and you know how you do all the sound checks and whatever. And Craig started playing the song which is the theme to the show “Taxi.” And I was like “Oooh that would be kinda dope if we did it as a song!” With that, Nisan did the track and sent it to me while I was at home and I wrote the record. That’s what it is, it’s about a cab ride, going to see the person that you want to go see. It’s simple, nice song.

YKIGS: Very nice song! *Laughs*

Tweet: Thank you! And I’m the only one…a lot of people wanted to get the rights to use the sample, and I’m the only one that they allowed to use that sample. So I feel honored that they allowed me to do that.

YKIGS: A lot of your fans that we’ve reached out to want to know what you’ve been up to since your last album released.

Tweet: Well, after the last album, and things don’t go the way I wanted business wise, I didn’t even want to do music anymore. So I came home and settled down and became Mom, I wanted to be in my daughter’s life, and I decided I didn’t want to do music anymore because I was compromising myself too much and I wasn’t loving what I was doing. But in that time, I had the chance to also get another deal with Jheryl Busby, and he came to me and gave me the opportunity, that’s how I got signed to Umbrella, in 2006 or 2007, something like that, and did the album which was “Love, Tweet,” which will be out this year, whenever it’s coming out. *Laughs* But I’ve been still writing, and I did a couple of songs, I did a song with Lil’ Mo while I was waiting, a song with P.J. Morton. I’m doing a couple of more things in preparing for the new album.

YKIGS: Is there any chance on this album you’ll be working with Missy and Timbaland again?

Tweet: Yea definitely. Missy and I have been missing each other, but we will definitely be doing something.

YKIGS: What can we expect to hear on this album?

Tweet: Well we decided to go back to the classic Tweet, “Southern Hummingbird,” so that’s what you’re going to get. I won’t be compromising, you won’t get no hip hop, I’m not a hip hop artist. I’m going straight back to “Southern Hummingbird,” the acoustic sound, what everyone fell in love with from the beginning, so that’s what you’ll get.

YKIGS: Perfect, that sounds good! Since you’ve already worked with artists like Timbaland, Devante, Static, Missy, is there anyone in the future you’d like the opportunity to work with?

Tweet: I’ve always wanted to work with Andre 3000. D’Angelo definitely, I think that’s the top of my list, number one is D’Angelo. But I’ve also recently been loving a guy, very talented, his name is Junie, and I really would love to work with him. Maybe do a gospel album, that’s about it though.

YKIGS: Since you’ve been in the music industry for so many years, are there any artists in your time in the industry who you would say have influenced you?

Tweet: Influence wise would be Marvin Gaye. Quartet music period, that’s what I grew up on. My mom and dad, Diana Ross, Aretha Franklin, the Clark Sisters, to name a few. I kinda like all kinds of music, so I’m well rounded. Those are the top people that really influenced me.

YKIGS: Ok Tweet well that’s all I had prepared, is there anything else you’d like to add?

Tweet: I appreciate even you wanting to interview, and look out for the “Love, Tweet” album that’s coming out soon, I’m finishing right now, it’s gonna be hot!

YKIGS: Do you have any tentative release date on the album?

Tweet: No I don’t. Who knows, anything could happen, I’ll just say that! *Laughs*

YKIGS: Well I’ll definitely be checking for that!

Lost Soul: Parle "It's Going Down"











Parle "It's Going Down"


Well, since I posted one Parle song, I might as well post the other since it's pretty decent as well. This one has a real old school feel to it, and I'm not sure but I feel like this definitely samples something. If you can pick out the sample, let me know!

Lost Soul: Parle "Can't Let Go"











Parle "Can't Let Go"


Don't get scared off by the album cover, this is actually pretty decent r&b music. In fact, Parle provided the only r&b song to the third Ruff Ryders album filled with gritty hip hop. The group was actually in the Ruff Ryders camp, but only had two other songs that I'm aware of, which happens to appear on the previous volumes of the Ruff Ryders compilations ("It's Going Down," and "I'm a Ruff Ryder"). Interestingly enough, this song was produced by superstar producer Mike City.

Tuesday, October 19, 2010

Upcoming Artist Spotlight: Niecy Williams "Back Bone"











Niecy Williams "Back Bone"


In a day in age where YouTube has discovered young talent such as Justin Bieber ,Dondria Nicole , and Priscilla Renea this 17 year old R&B artist Niecy Williams aspires to be added to the list. Niecy Williams was born and raised in the Bronx ,New York where Hip Hop music was first created. She began singing and songwriting at the tender age of 8 years old and performing by the age of 12. She performed all around New York City but one minor mistake would transform her career forever. In the summer of 2007 she stole her mothers brand new video camera ,and recorded a cover of Swv's most famous hit “Weak.” She later uploaded the video on you tube and the next day she surprisingly received over 100 views.

She began to post videos daily covering Beyonce, Alicia Keys ,Jennifer Hudson And Chris Brown tops singles that year. Her views flew from 100 to 100,000 gaining over 1,200 subscribers that year. Although her cover videos were successful she began to post her original music to showcase her artistry. She released her first Single “Party Line” In August of 2007 which gained her a supportive fan base who posted videos singing and dancing to the song. Since then she has continued to post her original music online hoping to inspire and uplift many lives.

Her Single Entitled “Back Bone” is the first Single off her Debut Album “On My Own” which will be released in the spring of 2011. Her Single “Back Bone” is a R&B ballad about young love the singer faces everyday. “My goal is to bring R&B back with this single” the singer said in a recent interview. She is looking for an R&B lover audience who will appreciate the single and support the R&B legacy. The Single has already received hundreds of downloads via Media Fire, and has been noticed by Singer -Songwriter Tiffany Evans who recently expressed her love for the song Via Twitter. Justin Bieber 's One Less lonely Girl Songwriter Sean Of Arex has also heard the Single and gave it a thumbs up. The sky does not define this young artists limit. With a voice that has been compared to Jasmine Sullivan ,India Arie,and Jennifer Hudson there's no way she can go wrong. She is currently spending this fourth quarter writing and recording for her Debut Album “ On My Own.” She will also release her music video to her Single “Back Bone” this fourth quarter so get ready! She is very open to working with upcoming producers and writers like herself ,so for any artist who may be interested in working with her please feel free to contact her via twitter,Facebook,or Youtube. Let's support our talented youth like Niecy Williams because they are the future faces of tomorrow.

New Joint: Tyler Jacob "10 Seconds" (Jazmine Sullivan Cover)



Tyler Jacob Covers Jazmine Sullivan's "10 Seconds"


Lost Soul: Faith Evans "Lately I"











Faith Evans "Lately I"


Classic Faith Evans ballad! Shout out to Buddha for the request


Lost Soul: R.L. "I'll Give You Anything"











R.L. "I'll Give You Anything"


After carrying his group Next to two very successful albums, R.L. decided to branch off and do a solo album which was very solid although not commercially successful. I always thought this song would have been a solid choice for a single, but maybe he shied away from it since he wrote and was featured on Jaheim's single for "Anything" around the same time. Nevertheless, if you read this site, you will know R.L. is still doing his thing and a veteran in r&b going on nearly 15 years now.

Monday, October 18, 2010

New Joint: Ne-Yo "Not Stupid"











Ne-Yo "Not Stupid""


I was going to hold off on even posting this song, but man it's catchy and addictive. It has a bit of a pop sound to it, which leads me to believe it could potentially be a demo for someone. Since Ne-Yo writes for so many artists from a wide range of genres, it's almost nearly impossible to predict who it could be for.

Rare Gems: Robin Thicke "In My Dreams" & "Threesome"











Robin Thicke "In My Dreams"


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Robin Thicke "Threesome"


If you listen to these tracks, you could probably guess the period of time they were recorded because they have that rawness Thicke had early on in his career. These were actually on an advance copy of his "The Evolution of Robin Thicke" album and were eventually abandoned. If you listen, these wouldn't really have fit into the flow of the album anyway since he gave us a more polished product, but these are good to listen to nonetheless.


Classic Vibe: MC Lyte "Keep On Keepin On" featuring Xscape (1996)



Shout out to Porter for today's request!


New Joint: Avant "Where Do We Go Wrong"











Avant "Where Do We Go Wrong"

New Joint: Johnta Austin "Hookin Up"











Johnta Austin "Hookin Up"



New Joint: Keyshia Cole "I Aint Through" featuring Nicki Minaj











Keyshia Cole "I Aint Through" featuring Nicki Minaj


Keyshia has confirmed via her twitter that this is the official first single off of her upcoming "Keyshia" album due out for release in December. So basically, the formula these days for major label artists is add Nicki Minaj or Rick Ross to your first single. *shrugs*


Wednesday, October 13, 2010

New Joint: El DeBarge "Lay With You" featuring Faith Evans











El DeBarge "Lay With You" featuring Faith Evans


Wow, I'm loving this song and this collaboration!! I hope this is picked as a single because it would be a great choice!


New Video: Eric Benet "Sometimes I Cry"












His new album "Lost in Time" will be in stores November 23rd.


Lost Souls: Javier "Count on Me" featuring Anthony Hamilton & "Can I Talk To You"











Javier "Count on Me" featuring Anthony Hamilton


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Javier "Can I Talk To You"


Since I was talking with someone today who had no idea Javier did anything after his first single "Crazy," (I won't mention any names!!) I had to make this post and highlight not one, but TWO songs from this SECOND album "Left of Center" from 2006. Javier is a very talented singer and is another of those who has flown under the radar for years. In speaking with his manager, unfortunately he's focused more on acoustic performances lately and has strayed away from his r&b/neo-soul sound. I can't be upset, but I would love another album!